![]() ![]() Adjusting the viscosity and flow rate to work in tandem with how you want the paints to interact with each other is key. Paints and Mediums used for Pouring Applicationsįree-flowing liquid paints and mediums are at the heart of the pouring process. If working on stretched canvas is vital to your process, you may be able to eliminate the sagging by stretching over a wooden panel or using a cardboard block between the stretcher bars. ![]() This is why testing is such a critical factor even when using products that other artists find successful. Conversely, this advice may be counter-productive if your technique relies upon the surface absorbency and/or the ability to curve the substrate in order to control the paint movement. Of course, the panel needs to be resistant to warping from water, thus sealing the surface with one or more coats of acrylic medium (or paint) is helpful. This surface is less affected by the weight of the wet product compared to stretched canvas. The most predictable painting surface for pours is a sealed panel. The skin shrinks and tears apart resulting in unwanted physical textures known as a “craze” ( see Image 1). Dry climates increase the chance of crazes developing – fissures resulting from liquid acrylic products skinning over during initial drying while the underlying liquid paint is still very fresh. Finally, control the temperature and humidity level in the studio as much as possible. Put down fresh poly plastic sheeting on the surface which will protect the surface and help later on by preventing your artwork from becoming glued to the work surface, as pouring products creates puddles and drips that can travel off of the canvas or panel. Even slight angles can cause issues with pours. Next, be sure the table top or floor you are working on is also clean and level. Take some time to free the immediate workspace, sweeping the floor and wiping down surfaces around the studio. Acrylic pours are relatively slow drying paint layers and dust can easily become imbedded into the film. ![]() One sure way to improve the odds for successful pouring is to start with a clean studio. Studio Preparation Image 1: This tinted GOLDEN Self-Leveling Gel “skin” shows the crazes that developed during the drying process. However, it is vital to the process to conduct experiments to gain the knowledge of what are the most critical controlling factors which preside over paint pours. While the practice of pouring artist paints is certainly not a new way to apply paint, achieving consistent results can be frustrating and costly. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |